Nova Istra No. 3-4/2006.

Istarski ogranak DHK Pula Journal Nova Istra Nova Istra No. 3-4/2006.

Journal Nova Istra

Hrvatski

Nova Istra No. 3-4/2006.

Literary and Cultural Journal - Pula, Croatia, No. 3-4/2006

Nova Istra
Literary and Cultural Journal
Pula, Croatia, No. 3-4/2006

Translation: R.Š.

Contents of the Journal:

CONTEMPORARY CROATIAN LITERATURE

BORBEN VLADOVIĆ
Slak uz prugu / Bindweed at trackside – poems
IRENA LUKŠIĆ
Propast Duge Rese / The destruction of Duga Resa – one-act play
IVANA ŠOJAT-KUČI
Pjesme – Poems
TAHIR MUJIČIĆ
priPovijest o O-u ili stor šoris / The story about O – short stories
DAŠA DRNDIĆ
Kazna / Punishment – paragraph from novel
MIROSLAV SINČIĆ
Južni vrtovi / Gardens in the south – poems
ANA SNJEŽANA BILIĆ
Slučaj doktora Bergmana / The case of Doctor Bergman – story
PERO PAVLOVIĆ
Glazba blagih imena / The music with gentle names – poems

NEW TRANSLATIONS

XHEVAHIR SPAHIU, Albania
Poems (recast: V. Barbieri, D. Načinović)
JOSIP OSTI, Slovenia
Rosa mystica (recast: S. Širec Rovis)
IGOR ISAKOVSKI, Macedonia
Alfred Dreyfus, writer, and his wife (translation: R. Mlinarec)
Nothing special happens (translation: R. Mlinarec)
VENKO ANDONOVSKI, Macedonia
On the edge of happiness: Igor Isakovski (translation: Ž. Milenić)
ALEKSANDAR ŠIMONOVIČ KOROTKO, Ukraine
Poems (recast: Đ. Vidmarović, J. Zaričnaja)
ĐURO VIDMAROVIĆ, Croatia
Ecumenism in a poetic way: A.Š. Korotko
SIMONE MOCENNI, Italy
Poem about a quarry (recast: V. Begić)

DANISH MODERNIST

GUSTAV MUNCH-PETERSEN, JENS AUGUST SCHADE,
TOVE DITLEVSEN (recast: P. Crnković)

EMPHASISED

PETER MARKUS, USA
Short stories (translation: N. Grgorinić, Ognjen Rađen)
Interview: Words made of mud / Peter Markus

STUDIES AND ESSAYS

IZTOK OSOJNIK, Slovenia
Europeanism and ‘frontierism’ (translation: S. Širec Rovis)
TANJA BAKIĆ, Montenegro
The influences of William Blake’ poetry on Jim Morrison’s rock-music
VESNA VUKIĆEVIĆ JANKOVIĆ, Montenegro
Mythical aesthetics of Njegoš’s brain producers

CONTRIBUTIONS ON HOMELAND

DRAŽEN VLAHOV, Croatia
The Glagolitic document, Boljun, 1611

LECTOR LUDENS

MIROSLAV BERTOŠA, Croatia
Between rational assessments and deceitful shadows (II):
R. Sarti, L. Margetić, V. Green

CRITICAL APPRECCIATIONS AND PIECES

MILORAD STOJEVIĆ
‘Judgments on what hasn’t been previously judged’
(Darko Gašparović: Kamov)
‘The forgotten beauty of writing’
(Damir Miloš: Smetlar)
ADRIAN CVITANOVIĆ
‘Boris Vian, jazzman and surreal pataphysicist’
(Boris Vian: L'Écume des jours)
‘The mystery man: Andrej Platonov’
(Andrej Platonovič Platonov: Sčastlivaja Moskva…)
‘The new Russian classic’
(Viktor Pelevin: V'esti iz Nepala…)
‘The alcoholic prose by Ilja Stogoff’
(Ilja Stogoff: Mačo ne plačut)
IGOR GRBIĆ
‘The aesthetic experience of language’
(Émile Benveniste: Le vocabulaire des institutions indo-européennes)
‘The linguistic picture of the world’
(Claude Hagege: Halte a la mort des langues)
‘The liberator of spiritual man’
(Nikolaj Berdjajev: Smysl istorii)
‘The life-saving disappointment with history’
(Béla Hamvas: Anthologia humana)
‘The luxury of the old Egyptian cosmo- and teogony’
(Igor Uranić: Ozirisova zemlja…)
BOŽIDAR ALAJBEGOVIĆ
‘Love and its oppositeness’
(Toni Morrison: Love)
‘The life in boarding schools’
(Fleur Jaeggy: I beati anni del castigo)
‘Fighting dictatorship by reading’
(Azar Nafisi: Reading Lolita in Teheran)
‘Exotic landscapes and sexual greed’
(Dražen Katunarić: Tigrova mast)
‘Island versus terra firma’
(Senko Karuza: Vodič po otoku)
‘Fictionalised analysis of coma and dreams’
(Alex Garland: The Coma)
‘Penguin as a pet’
(Andrej Kurkov: Smert postoronnego)
‘Metafictional game’
(Georgi Gospodinov: Estestven roman)
‘The successful articulation of female innermost feelings’
(Aleksandra Kardum: Ono što sam prešutjela)
‘The spirit of the New Wave is still present’
(Davor Slamnig: Krumpirova rodbina)
‘Already seen’
(Tomislav Zajec: Ljudožderi)
STJEPAN TOMAŠ
‘Searching for secret’
(Žarko Milenić: Mrtvi kanal)
DARIJA ŽILIĆ
‘The egoism of inwardness’
(Ana Brnardić: Valcer zmija)
‘The linguistic and stylistic ‘pastiche’’
(Mima Simić: Pustolovine Glorije Scott)
‘The interesting narrative poetry’
(Snježana Pejović: Ptice od straha lete)
VANESA BEGIĆ
‘The fundamental scientific work’
(Josip Šiklić: Crkva Sv. Nikole u Pazinu)